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Jean-François D'Or. Moodboards

Technische fiche

Fotograaf misc.
Formaat 26x21
Pagina's 128
Taal English, French
ISBN 978-90-5856-471-9

Jean-François D'Or. Moodboards

€ 29,90
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Casual, poetic and timeless. This is how the designs of Jean-François D’Or can be summed up in three words. Belgian designer of the year 2013 refuses to work himself into the spotlight with large displays. Instead, he prefers to use his special talent to make his mark in the sphere of smaller interior design accessories, such as bowls, lamps, vases, coat hooks, door handles, mirrors,... Small touches which can subtly define an interior and as they are very 'democratically priced', they can appeal to a wide audience.

Starting from an analysis of the functionality of an object, his designs are pared down and ergonomically perfected, without, however, losing sight of the aesthetic dimension. Or, as he puts it: I want to distinguish myself without pushing too many boundaries, just far enough to reach timelessness.

The trust that Jean-François D’Or enjoys from Belgian manufacturers, including JongForm, Serax and Domani, but also from international labels, such as Ligne Roset, testifies not only to the quality of his work, but also proves his understanding of contemporary challenges in industrial design.

Moodboards offers an overview of D’Ors designs and an insight into his creative process.
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De auteur

Jean-François D'Or

Jean-François D’Or is graduated in industrial design at ENSAV La Cambre Brussels in 1998 since which time he has built up solid and varied experience. Following a project in New York lasting several months, he was taken on by Light brand where he worked closely with established and demanding designers such as Maarten Van Severen and Hans De Pelsmacker. In 2003, he set up his own industrial design studio.

His approach takes account of company imperatives as well as user needs and is tempered by the desire to reach a market; his products set out to enrich our environment. Exploring numerous materials, Jean-François D’Or brings out their beauty without ostentation. His simple, unpretentious, logical objects appeal as much on for their evident, clearly perceptible design as well as their discrete poetry.

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